Text and act
essays on music and performance
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Author
Publication
1995 - Oxford University Press, New York, New York (State)
Language
English
Word Count
95,500 words, Guess
Page Count
382 pages
Identifiers
- Open LibraryOL1100108M
- ISBN-100195094379
- OCLC Control Number31295248
- OCLC Control Numbertextactessaysonm00taru
- Library of Congress Control Number94024903
and 2 more
- Goodreads762021
- LibraryThing37659
Classifications
- DDC781.4/3
- LCCML457 .T37 1995
Description
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking awide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than thehistorical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation...
Description
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which are now classics in the field. Taking a wide-ranging cultural view of the early music phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable - and even authentic - than simple historical verisimilitude could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin moves fluently from theoretical speculation to practical criticism, and covers a repertory ranging from Josquin des Prez to Stravinsky.
Subjects
Other Editions
- Text and act: essays on music and performance
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