Publication

1998-09-01 - Indiana University Press

Language

English

Word Count

98,000 words, Guess

Page Count

392 pages

Physical Format

Paperback

Identifiers

and 3 more
  • Library of Congress Control Number96002237
  • LibraryThing1911288
  • Goodreads367222

Classifications

  • LCC
  • DDC792.8/0944
  • LCCGV1649 .F67 1996

Description

Choreography and Narrative traces development of the story ballet from the early - eighteenth-century fair theatres through the Revolutionary fetes to the well-known Romantic ballets La Sulphide and Giselle. This history charts ballet's separation from opera at mid-century and its emergence as an autonomous art form dedicated to the telling of a story through gesture and movement alone. The site for this historical inquiry is Paris, home to the most popular and lavish dance productions of the eighteenth and early nineteenth centuries. The ballet is analyzed in terms of the training procedures for dancers, the aesthetic goals and responsibilities of choreographers, the institutional frameworks that promote productions, and the expectations and pleasures of dance viewers. Throughout, ballet is approached as a cultural practice intimately connected with political and economic features of French society, a practice whose evolving form bears witness to, as it participates in, the sweeping social changes of the eighteenth and early nineteenth centuries. To uncover the significance of ballet, Choreography and Narrative compares the dancing body with the body as constructed in social dance practices, and also in anatomy, etiquette, painting, acting, and physical education. Choreography is considered as a theorizing of embodiment, one which reflects on the individual, gendered, and social identities of those who dance and those who watch dancing.

First Sentence

Pointed leg, stiff skirt, diminutive wings, garlanded head, tousled hair, curving arms, adoring look-all hovering in a tree's branch five feet above the ground.

Excerpt

Pointed leg, stiff skirt, diminutive wings, garlanded head, tousled hair, curving arms, adoring look-all hovering in a tree's branch five feet above the ground.

Subjects

Other Editions

  • Choreography & Narrative: Ballet's Staging of Story and DesirePaperbackIndiana University Press1998-09-01

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