Aby Warburg and the Image in Motion
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Author
Contributions
- Georges Didi-Huberman (Foreword) - Contributor
- Sophie Hawkes (Translator) - Contributor
Publication
2004-03-02 - Zone Books
Language
English
Word Count
100,500 words, Guess
Page Count
402 pages
Physical Format
Hardcover
Identifiers
- Open LibraryOL8715719M
- ISBN-139781890951399
- ISBN-101890951390
- OCLC Control Number51722781
- OCLC Control Numberabywarburgimagei0000mich_v1b2
and 3 more
- Library of Congress Control Number2003042263
- LibraryThing90505
- Goodreads3680435
Classifications
- LCCN7483.W36 M4313 2004
Description
"Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century such as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the decipherment and interpretation of symbolic material. As Phillippe-Alain Michaud demonstrates in this important book, Warburg's project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Jacob Burckhardt, Warburg fashioned a "critical iconology" to reveal the irrationality of the image in Western culture." "Michaud provides us with a book not only about Warburg but one that extends his intuitions and discoveries into analyses of other categories of imagery like the Daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. This edition also includes a foreword by Georges Didi-Huberman and texts by Warburg not previously translated into English."--BOOK JACKET.
Subjects
Other Editions
- Aby Warburg and the Image in Motion
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