Publication

2005 - State University of New York Press, Albany, New York (State)

Language

English

Word Count

41,750 words, Guess

Page Count

167 pages

Identifiers

and 3 more
  • Library of Congress Control Number2005001027
  • Goodreads2238054
  • LibraryThing3690432

Classifications

  • DDC793.38
  • LCCGV1746 .P53 2005

Description

"Drawing on recent media portrayals and her own experience, author and dancer Caroline Joan S. Picart explores ballroom dancing and its more "sporty" equivalent, DanceSport, suggesting that they are reflective of larger social, political, and cultural tensions. The past several years have seen a resurgence in the popularity of ballroom dance as well as an increasing international anxiety over how and whether to transform ballroom into an Olympic sport. Writing as a participant-critic, Picart suggests that both are crucial sites where bodies are packaged as racialized, sexualized, nationalized, and classed objects. In addition, Picart argues, as the choreography, costuming, and genre of ballroom and DanceSport continue to evolve, these theatrical productions are aestheticized and constructed to encourage commercial appeal, using the narrative frame of the competitive melodrama to heighten audience interest."--Jacket.

First Sentence

Two things prompt the writing of this book.

Subjects

Topics

Social aspectsPopular culturePopular culture.Ballroom dancingSocial aspects of Ballroom dancingBallroom dancing -- Social aspects.

Series Statement

  • SUNY series on sport, culture, and social relations

Other Editions

  • From ballroom to dancesport: aesthetics, athletics, and body cultureState University of New York Press2005-01-01

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