Actresses on the Victorian Stage
Feminine Performance and the Galatea Myth (Cambridge Studies in Nineteenth-Century Literature and Culture)
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Word Count
62,250 words, Guess
Page Count
249 pages
Physical Format
Paperback
Identifiers
- ISBN-100521027462
- ISBN-139780521027465
- Goodreads1011852
- Library of Congress Control Number2007274718
- Better World Books9780521027465
and 1 more
- Open LibraryOL7714408M
Classifications
- LCCPN2582.W65 M37 2006
- LCCPN2582.W65 M37 1998
- DDC792/.028/082094109034
First Sentence
From its start, the nineteenth century in Britain was imbued with new possibilities for the proliferation of sculpturally informed aesthetic judgements and criteria, for it was then that Britain, France and America imported into their museums what were to become the best-known examples of Classical sculpture, statues which '[entered] deeply into the visual consciousness of educated Europe', which 'were used as touchstone[s] by artists, art lovers, collectors and theorists alike for the gauging of taste and quality'.
Excerpt
From its start, the nineteenth century in Britain was imbued with new possibilities for the proliferation of sculpturally informed aesthetic judgements and criteria, for it was then that Britain, France and America imported into their museums what were to become the best-known examples of Classical sculpture, statues which '[entered] deeply into the visual consciousness of educated Europe', which 'were used as touchstone[s] by artists, art lovers, collectors and theorists alike for the gauging of taste and quality'.
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- Actresses on the Victorian Stage
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