Publication

2019 - Bloomsbury Publishing Plc

Language

English

Word Count

52,000 words, Guess

Page Count

208 pages

Identifiers

Classifications

  • LCCPR888.E982H63 2020
  • LCCPR888.E982 H63 2020

Description

"Delving into how the traumatic experience of the Second World War formed - or perhaps malformed - the post-war experimental novel, this book explores how the symbolic violence of post-war normalization warped societies' perception of reality. Andrew Hodgson explores how the novel was used by authors to attempt to communicate in such a climate, building a memorial space that has been omitted from literatures and societies of the post-war period. Hodgson investigates this space as it is portrayed in experimental modern British and French fiction, considering themes of amnesia, myopia, delusion and dementia. Such themes are constantly referred back to and posit in narrative a motive for the very broken forms these books often take - books in boxes; of spare pages to be shuffled at the reader's will; with holes in pages; missing whole sections of the alphabet; or books written and then entirely scrubbed out in smudged black ink. Covering the works of B. S. Johnson, Ann Quin, Georges Perec, Roland Topor, Raymond Queneau and others, Andrew Hodgson shows that there is method to the madness of experimental fiction and legitimizes the form as a prominent presence within a wider literary and historical movement in European and American avant-garde literatures"--Bloomsbury Publishing.

Subjects

Other Editions

  • Post-War Experimental Novel: British and French Fiction, 1945-75Bloomsbury Publishing Plc2019-01-01

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