The progresses, pageants, and entertainments of Queen Elizabeth I
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Contributions
- Archer, Jayne Elisabeth. - Contributor
- Goldring, Elizabeth, 1970- - Contributor
- Knight, Sarah. - Contributor
Publication
2007 - Oxford University Press, Oxford, England
Language
English
Word Count
77,500 words, Guess
Page Count
310 pages
Identifiers
- Internet Archiveprogressespagean00arch
- Internet Archiveprogressespagean00arch_980
- ISBN-139780199291571
- ISBN-100199291578
- LibraryThing3379884
and 5 more
- Goodreads995143
- Library of Congress Control Number2006039670
- OCLC Control Number74966530
- Better World Books9780199291571
- Open LibraryOL18007421M
Classifications
- DDC942.05/5092
- LCCDA356 .P85 2007
- LCCDA356.P85 2007
Description
More than any other English monarch before or since, Queen Elizabeth I used her annual progresses to shape her royal persona and to bolster her popularity and authority. During the spring and summer, accompanied by her court, Elizabeth toured southern England, the Midlands, and parts of the West Country, staying with private and civic hosts, and at the universities of Oxford and Cambridge. The progresses provided hosts with unique opportunities to impress and influence the Queen, and became occasions for magnificent and ingenious entertainments and pageants, drawing on the skills of architects, artists, and craftsmen, as well as dramatic performances, formal orations, poetic recitations, parades, masques, dances, and bear baiting.^ The Progresses, Pageants, and Entertainments of Queen Elizabeth I is an interdisciplinary essay collection, drawing together new and innovative work by experts in literary studies, history, theatre and performance studies, art history, and antiquarian studies. As such, it will make a unique and timely contribution to research on the culture and history of Elizabethan England.^ Chapters include examinations of some of the principal Elizabethan progress entertainments, including the coronation pageant Veritas temporis filia (1559), Kenilworth (1575), Norwich (1578), Cowdray (1591), Bisham (1592), and Harefield (1602), while other chapters consider the themes raised by these events, including the ritual of gift-giving; the conduct of government whilst on progress; the significance of the visual arts in the entertainments; regional identity and militarism; elite and learned women as hosts; the circulation and publication of entertainment and pageant texts; the afterlife of the Elizabethan progresses, including their reappropriation in Caroline England and the documenting of Elizabeth's reign by late eighteenth- and early nineteenth-century antiquarians such as John Nichols, who went on to compile the monumentalThe Progresses of Queen Elizabeth (1788-1823).
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