Hampton Court
a social and architectural history
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Author
Publication
2003 - Published for the Paul Mellon Centre for studies in British art, Yale University Press, New Haven, Connecticut
Language
English
Word Count
112,500 words, Guess
Page Count
450 pages
Identifiers
- Open LibraryOL3676368M
- ISBN-100300102232
- OCLC Control Number52478555
- OCLC Control Numberhamptoncourtsoci0000thur
- Library of Congress Control Number2003014023
and 2 more
- Goodreads1270880
- LibraryThing766862
Classifications
- DDC942.1/95
- LCCDA690.H2 T48 2003
Description
"The book takes as its starting point the argument that the only way to understand fully a building such as Hampton Court is to set it in the political and social context of its time and to explore the lives and motivations of its builders. The picture that emerges is on the one hand intensely personal - one of architects and builders fulfilling the whims of kings and princes. On the other hand, it is bureaucratic: Hampton Court is revealed first as the royal household, then as a palace claimed by grace-and-favour residents and finally, by visitors and tourists as their own." "The history of the building is taken right up to the beginning of the twenty-first century. The twentieth-century story of Hampton Court is one of conservation and of changing attitudes towards opening up the complex to the public - it covers everything from the agonising discussions as to whether to build public lavatories to an account of the private enterprise that caused an octogenarian to make a personal fortune out of opening the maze to the public. It includes also the story of the terrible fire of 1986 and its aftermath." "Social history and architectural history sit side by side in this intriguing account. New and important attributions are made to the architects Hugh May, Nicholas Hawksmoor, William Talman, Colen Campbell and Edward Blore amongst others. Moreover, the palace and its setting are placed in their European context and their long-term architectural significance is gauged." "The book is lavishly illustrated with original paintings, prints and drawings, while a specially commissioned suite of plans and reconstructions reveals the evolving form of the buildings."--Jacket.
First Sentence
STANDING ON HAMPTON COURT BRIDGE on a foggy autumn morning all that can be seen in the impenetrable whiteness is the sluggish silver of the River Thames.
Subjects
Topics
Places
Other Editions
- Hampton Court: a social and architectural history
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