Rembrandt's bankruptcy
the artist, his patrons, and the art market in seventeenth-century Netherlands
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Author
Contributions
- Rembrandt Harmenszoon van Rijn, 1606-1669. - Contributor
Publication
2006 - Cambridge University Press, New York, New York (State)
Language
English
Word Count
55,250 words, Guess
Page Count
221 pages
Identifiers
- Open LibraryOL3413210M
- ISBN-139780521858250
- ISBN-100521858259
- OCLC Control Number62084288
- OCLC Control Number123241003
and 4 more
- OCLC Control Numberrembrandtsbankru0000cren
- Library of Congress Control Number2005029337
- LibraryThing3802421
- Goodreads557671
Classifications
- DDC759.9492
- LCCN6953.R4 C74 2006
Description
"This study examines the causes, circumstances, and effects of the 1656 bankruptcy by Rembrandt van Rijn. Following a highly successful early career, Rembrandt's idiosyncratic art and lifestyle came to dominate his reputation. His evasion of responsibility to his creditors was so socially disreputable that laws in Amsterdam were quickly altered. The poor management of his finances magnified other difficulties that he had with family, paramours, friends, neighbors, and patrons. Collectively, Rembrandt's economic and social exigencies affected his living and working environment, his public station, and his art. This study examines all of these aspects of Rembrandt's bankruptcy, including his marketing practices, the appreciation of his work, and his relations with patrons, in addition to the details of the bankruptcy itself. Several patterns of short-sighted decision making emerge as Rembrandt conducted his affairs within a constantly changing framework of relationships, a shifting set of obligations, and evolving artistic pursuits."--BOOK JACKET.
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- Rembrandt's bankruptcy: the artist, his patrons, and the art market in seventeenth-century Netherlands
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