Author

Contributions

  • Marrati, Paola. - Contributor

Publication

2008 - Johns Hopkins University Press, Baltimore, Maryland

Language

English

Word Count

34,500 words, Guess

Page Count

138 pages

Identifiers

and 5 more
  • LibraryThing7615992
  • Library of Congress Control Number2007035483
  • OCLC Control Number167512689
  • Better World Books9780801888021
  • Open LibraryOL16833567M

Classifications

  • DDC791.4301
  • LCCPN1995 .M296 2008
  • LCCPN1995.M296

Description

"In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and Andre Bazin's film theory? What does it tell us about perceiving a world in images - indeed about our relation to the world?" "These are the central questions addressed in Paola Marrati's elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life."--Jacket.

Subjects

Series Statement

  • Parallax
  • Parallax (Baltimore, Md.)

Links

Other Editions

  • Gilles DeleuzeJohns Hopkins University Press2008

Similar Books

Reader Reviews

No reviews yet for this book.

Be the first to share your thoughts!