Author

Publication

1999 - Peter Lang, New York, New York (State)

Language

English

Word Count

39,250 words, Guess

Page Count

157 pages

Identifiers

  • Open LibraryOL349928M
  • ISBN-100820438065
  • OCLC Control Number38390651
  • Library of Congress Control Number98009256
  • Goodreads3012878

Classifications

  • DDC708.13
  • LCCBH301.S69 P37 1999

Description

The Museum of Modern Art in New York combines the rhetoric of modernist domestic architecture, formalist art theory, and modernist museology in its exhibition spaces. Discipline and Varnish investigates how this combination of rhetorical devices has produced not only a persuasive understanding of the history of modernist art, but also a set of "subjectivity effects" that uses the formalist notion of "autonomy" as a powerful model for subjectivity. However, MOMA's rhetoric of display eventually contradicts its three-dimensional discourse on art and aesthetics, undermining the museum's model for subjectivity as well. This study ends with a look at possible alternative relations between museology and subjectivity through analyses of the Wexner Center for the Arts and the plans for the National Museum of the American Indian.

Subjects

Series Statement

  • Hermeneutics of art,

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