Politics, culture, and civic virtue in the films of John Ford
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Author
Contributions
- Pearson, Sidney A. - Contributor
Publication
2009 - Lexington Books, Lanham, Maryland
Language
English
Word Count
51,500 words, Guess
Page Count
206 pages
Identifiers
- ISBN-100739135627
- ISBN-139780739135624
- ISBN-139780739135631
- ISBN-139780739135648
- ISBN-100739135635
and 7 more
- ISBN-100739135643
- Goodreads7233177', '6863805
- Library of Congress Control Number2009007245
- Better World Books9780739135631
- Better World Books9780739135624
- Better World BooksKT-217-055
- Open LibraryOL23170228M
Classifications
- DDC791.4302/33092
- LCCPN1998.3.F65 P65 2009
- LCCPN1998.3.F65P65 2009
Description
In Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford, a collection of writers explore Ford's view of politics, popular culture, and civic virtue in some of his best films:Drums Along the Mohawk,The Searchers,The Man Who Shot Liberty Valance,Stagecoach,How Green Was My Valley, andThe Last Hurrah. John Ford, more than most motion picture directors, invites his viewers into a serious discussion of these themes. For instance, one can consider Plato's timeless question "What is justice?" in The Man Who Shot Liberty Valance, vengeance as classical Greek tragedy inThe Searchers, or ethnic politics inThe Last Hurrah. Ford's films never grow stale or seem dated because he continually probes the most important questions of our civic culture: what must we do to survive, prosper, pursue happiness, and retain our common decency as a regime? Further, viewing them from a distance of time, we are subtly invited to ask whether anything has been lost or gained since Ford celebrated the civic virtues of an earlier America. Is Ford's America an idealized America or a lost America?
Subjects
Topics
Other Editions
- Politics, culture, and civic virtue in the films of John Ford
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