High and Low Moderns

Description

This collection of essays on modernist culture reassesses the convergence of low and high cultures, of socialist and aesthete, late Victorian and young Georgian, the popular and the coterie. Academic literary studies have until recently preferred to treat the "opaque," "difficult" writings of high moderns Conrad, Yeats, Woolf, and Eliot, and the more accessible work of the low moderns Kipling, Shaw, and Wells in separate categories. In contributions by scholars David Bromwich, Roy Foster, Edna Longley, Louis Menand, Edward Mendelson, and others, High and Low Moderns brings these writers into critical proximity. Essays on such topics as the public mourning of Queen Victoria, Florence Farr and the "New Woman," the Edwardian Shaw, Lady Gregory's attraction to Irish felons, and the high artistic uses of low entertainments - cinema, detective fiction, and journalismintroduce a subtler model of modernism, in which "demotic" and "elite" cultural forms criticize, imitate, and address one another.

First Sentence

If the British modern period must be given a starting date, we might do well to propose January 22, 1901, the day Queen Victoria died.

Subjects

Other Editions

• High and Low Moderns: Literature and Culture, 1889-1939Oxford University Press, USA1996-11-11
• High and low modernsOxford University Press1996-01-01
• High and Low ModernsOxford University Press1996-01-01
• High and Low ModernsOxford University Press, Incorporated1996-01-01