Michel Mazzoni

Alternate Titles

• Gravity - Michel Mazzoni

Description

Situated as it is at the very turn of the century, and questioning from the outset the inflation and desubstantialisation involved in the hegemony of images, Michel Mazzoni's photographic practice is an image factory or rather an image-thinking factory. An image which outflanks it and decompartmentalises it in multifarious ways, from its installation in situ to its editorial deployment. Either digital or analogue, mostly close-up, they are subjected to manipulations at the source (luminous, chemical or optical manipulation of the negative) or through post-processing (scans, printing, screens, inversions), in order to degrade them, to shield them from overly indicial information, and provide them with a renewed quality as an attention catcher. The editorial space is conceived and practised by Mazzoni as a genuine exhibition space whose display and reading he nevertheless replays. The intrinsic qualities of the editorial object, variations of paper, of grammage and of printing within a unity of format and of graphic design, contribute as much as the in situ installation to creating with a rare aptness the conditions for the appearance of an elliptic narrativisation --Christine Jamart

Description

As an assembly of archival images and new images, the author realizes with Gravity a photographic poem, a tribute to the first space missions, a narrative fiction inspired by real events. However, Michel Mazzoni's photography is not motivated by nostalgia. Gravity primarily addresses our relationship with images and their virtually infinite potential. While there are representations of deserts, vertiginous heights, perfect spheres, and a certain precision, these motifs condense and obscure the nooks and crannies of the imagination, and act as metaphors for a quest that goes well beyond the laws of calculation and engineering.

Subjects

Other Editions

• Michel Mazzoni: gravityArp Editions2015-01-01
• Rien, presqueMER. B&L.2022-01-01