Painted songs
continuity and change in Indian folk art
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Author
Contributions
- Universität Zürich. Völkerkundemuseum - Contributor
- Clough, Joan - Contributor
- Moschke, Karina - Contributor
Publication
2012 - Arnoldsche Art Publishers, Stuttgart, Germany
Language
English
Word Count
48,000 words, Guess
Page Count
192 pages
Identifiers
- Open LibraryOL43985671M
- ISBN-139783897903661
- OCLC Control Number823223033
- OCLC Control Number777652839
Classifications
- LCCND2048.B46 K35 2012
Alternate Titles
- Continuity and change in Indian folk art
Description
For over 2000 years and until just a few decades ago artists traveled throughout India, using painted picture scrolls to spread stories from the great Indian epics Mahabharata and Ramayana, as well as a wealth of stories about regional Gods and heroes and moral tales, amongst the mostly illiterate rural population. These artists were the creators and bearers of an art form which spread from India across China to Japan, and westward to the Mediterranean region. In the hands of the painters and singers, the picture scrolls became a portable cinema, projection screens for mythical knowledge and an incentive to listen to the songs whilst looking at the scrolls. Political changes, technical innovation and social turmoil in the twentieth century ushered in profound changes to oral art forms. As their tradition lost significance, the Indian scroll-painting artists also lost their public and their income. Two Bengali picture-scroll traditions still defy adverse conditions; however, whereas the 'patua' rose to the challenge, the 'jadopatia' failed and their tradition is in terminal decline.
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