Publication

1998 - Cambridge University Press, Cambridge, United Kingdom, New York (State)

Language

English

Word Count

45,750 words, Guess

Page Count

183 pages

Identifiers

  • Open LibraryOL673739M
  • ISBN-100521582105
  • OCLC Control Number36916487
  • Library of Congress Control Number97019846
  • Goodreads593631

Classifications

  • DDC782.4/7/092
  • LCCML410.S3 K774 1998

Description

This is the first book to examine Schubert's songs as active shaping forces in the culture of their era rather than as mere reflections of it. Responding to rising new forms of social organisation, Schubert discovered that songs could serve as a medium for shuffling and reshuffling the basic building blocks of identity and desire, especially sexual desire. His songs project a kaleidoscopic array of unexpected human types, all of whom are eligible for a sympathetic response, even the strangest and most disconcerting. Schubert sought to validate these subjective types without subordinating them to a central social or sexual norm. The book describes and contextualises this process and tracks it concretely in a wide variety of songs. Combining close attention to both music and poetry, the book addresses both specialists and non-specialists in a lively, accessible style unburdened by excessive jargon [Publisher description].

First Sentence

Schubert revolutionized song: on that, everyone agrees.

Subjects

Series Statement

  • Cambridge studies in music theory and analysis ;

Other Editions

  • Franz Schubert: sexuality, subjectivity, songCambridge University Press1998-01-01

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