Contributions

  • Wendy Watriss (Editor) - Contributor
  • Lois Parkinson Zamora (Editor) - Contributor

Publication

1998 - University of Texas Press

Language

English

Word Count

116,000 words, Guess

Page Count

464 pages

Physical Format

Hardcover

Identifiers

and 3 more
  • Library of Congress Control Number94035532
  • Goodreads1546053
  • LibraryThing2774042

Classifications

  • LCCTR645.H8 F673 1998
  • DDC779/.098

Description

FotoFest 1992, a major festival of international photography in Houston, brought Latin American photography into focus for a wide public audience. Offering a diverse selection of photographers, countries, artistic movements, and subject matter, the shows revealed a photographic tradition rich in both history and creativity. Drawing from the more than 1,000 images exhibited by FotoFest, this book documents the work of fifty photographers from ten countries. The photographs range from the opening of the Brazilian frontier in the 1880s to documentary images from El Salvador's 1980-1992 civil war to works of specifically aesthetic and experimental intent. Many of the photographs appear here in print for the first time. Wendy Watriss's opening essay provides the curatorial overview for the book in her essay. Lois Parkinson Zamora examines some of the roots of visual imagery in Latin American cultures. An essay by Boris Kossoy addresses the history of Latin American photography in the nineteenth century, delving into the social iconography that evolved from the mingling of indigenous and European traditions. Fernando Castro covers the contemporary scene and the debate over "artistic" versus documentary work. An extensive bibliography by Marta Sanchez Philippe and artist biographies conclude the book.

Subjects

Other Editions

  • Image and Memory: Photography from Latin America, 1866-1994HardcoverUniversity of Texas Press1998-01-01

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