Androgyne
fashion + gender
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Author
Contributions
- Mellor, Barbara, translator - Contributor
Publication
2017 - Thames & Hudson, New York (State)
Language
English
Word Count
47,750 words, Guess
Page Count
191 pages
Identifiers
- ISBN-139780500519356
- ISBN-100500519358
- Library of Congress Control Number2017931783
- OCLC Control Number975365959
- Better World Books9780500519356
and 1 more
- Open LibraryOL26955984M
Classifications
- DDC746.9/2081
- LCCNX650.G44 M38 2017
- LCCGT500-2370
and 3 more
- LCCTT506 .M38 2017
- LCCBF692.2
- LCCNX650.G44 .M38 2017
Alternate Titles
- Fashion and gender
- Fashion plus gender
- Androgyny
Description
In January 2011, Jean Paul Gaultier's haute couture runway show ended with the image of a willowy blonde bride in a diaphanous gown. The bride was a man, and one of the first models to walk for both men's and women's collections. The event marked the start of a trend. "This ad is gender neutral," proclaimed a 2016 poster for the fashion brand Diesel; "I resist definitions," announced a Calvin Klein ad in the same year, while a Louis Vuitton shoot featured Jaden Smith wearing a skirt.The art of Edward Burne-Jones and Gustave Moreau, the writings of Oscar Wilde, and the mystic Josephin Peladan prove that the turn of the previous century was as compelled by androgyny as this one. Patrick Mauries presents a cultural history of androgyny--accompanied by a striking selection of more than 120 images, from nineteenth-century painting to contemporary fashion photography--drawing on the worlds of art and literature to give us a deeper understanding of the strange but timeless human drive to escape from defined categories.
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