Recorded Music in American Life

Description

Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"--The formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories. Students and scholars of American music, culture, commerce, and history - as well as fans and collectors interested in this phase of our nation's rich artistic past - will find a great deal of thorough research and fresh scholarship to enjoy in these pages.

First Sentence

Reimagining the historical influence of the phonograph and recorded music in American life can begin with a reconsideration of Evan Eisenberg's description of domestic consumer phonograph culture.

Subjects

Other Editions

• Recorded music in American life: the phonograph and popular memory, 1890-1945Oxford University Press1999-01-01
• Recorded Music in American LifeOxford University Press, USA2003-11-01
• Recorded Music in American LifeOxford University Press, Incorporated2003-01-01