Haegue Yang

Alternate Titles

• Opaque wind
• Hījiyū Yāngh - riyāḥ kamdāʼ

Description

Faisant suite à l'exposition Lingering Nous au Centre Pompidou à l'été 2016, ce livre rassemble un large nombre d'œuvres composées de stores vénitiens que l'artiste utilise depuis une dizaine d'année, explorant toutes les capacités de ces matériaux industriels dans des compositions aux géométries abstraites en relation à des moments narratifs historiques et contemporains. 21 installations de stores sont reproduites en commentées par des textes de l'artiste et précédées de deux essais de Nicolas Liucci-Goutnikov, curateur de l'exposition et de Tom McDonough, critique et professeur associé à l'Université de Binghampton aux Etats-Unis. Bilingue français-anglais.

Description

An Opaque Wind documents a site-specific installation of the same title commissioned by and exhibited at Sharjah Biennial 2015. An Opaque Wind (2015) took the intertwined geo-economic involvement of the Korean state-driven economy in the Gulf region since the 1970s as a starting point. It reflects upon the progress-driven heavy industrialization that has engaged many Korean workers (mostly male) to construct the urban and oil infrastructure that constitutes today?s ecology in both territories. Composed of seemingly unrelated common construction materials, such as rusting beams, used air conditioners, turbine vents, bricks, concrete blocks, and corrugated metal sheets, combined with other locally sourced traditional elements from the site, like areesh roof and mats, and coral stones, the installation oscillates between transparency and opacity, openness and impenetrability, past and present, suggesting a commonly shared past of the geo-economic trajectory of industrialization juxtaposed with layers of reconstruction of Sharjah?s early settlement as situated within the heritage village. What is striking is the use of industrial vents to visualize the immaterial element of the piece, namely wind. This element is also found in Sharjah?s traditional wind towers as natural cooling systems in buildings, and wind is also an invisible metaphor for a hidden tie between the history and regions that remain remote and exotic to each other.

Subjects

Other Editions

• Haegue Yang: an opaque wind = Hījiyū Yāngh : riyāḥ kamdāʼWiens Verlag2016-01-01
• Haegue Yang.Sala Rekalde2008-01-01
• Dare to count phonemes and graphemesGlasgow Sculpture Studios2013-01-01
• Haegue YangPresses du Réel Editions2017-01-01
• VIP's UnionKunsthaus Graz2017-01-01
• Haegue YangGesellschaft für Moderne Kunst am Museum Ludwig Köln e.V.2018-01-01