Publication

2013 - Liverpool University Press

Language

English

Word Count

73,250 words, Guess

Page Count

293 pages

Identifiers

Classifications

  • LCCN72.F45

Description

What happens to art when feminism grips the curatorial imagination? How do sexual politics become realised as exhibits? Is the struggle against gender discrimination compatible with the aspirations of museums led by market values? Beginning with the feminist critique of the art exhibition in the 1970s and concluding with reflections on intersectional curating and globalisation after 2000, this pioneering collection offers an alternative narrative of feminism's impact on art. The essays provide rigorous accounts of developments in Scandinavia, Eastern and Southern Europe as well as the UK and US, framed by an introduction which offers a politically engaging navigation of historical and current positions. Delivered through essays, memoirs and interviews, discussion highlights include the Tate Modern hang, relational aesthetics, the global exhibition, feminism and technology in the museum, the rise of curatorial collectivism, and insights into major exhibitions such as Gender Check on Eastern Europe.--Back cover.

Subjects

Other Editions

  • Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial TransgressionsLiverpool University Press2013-01-01

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