Conversations with Boulez
thoughts on conducting
Our rough guess is there are 63,750 words in this book.
At a pace averaging 250 words per minute, this book will take 4 hours and 15 minutes to read. With a half hour per day, this will take 9 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
We earn a commission on purchases
Author
Contributions
- Vermeil, Jean. - Contributor
Publication
1996 - Amadeus Press, Portland, Or, Oregon
Language
English
Word Count
63,750 words, Guess
Page Count
255 pages
Identifiers
- Open LibraryOL788578M
- ISBN-101574670077
- OCLC Control Number32970293
- OCLC Control Numberconversationswit00boul
- Library of Congress Control Number95020952
and 2 more
- Goodreads922396
- LibraryThing400017
Classifications
- DDC784.2/145
- LCCML458 .B6813 1996
Description
A giant of postwar music and the most powerful figure in the contemporary French music scene, Pierre Boulez is widely known to American and English audiences as both an important composer and as star conductor of the New York Philharmonic, the Cleveland Orchestra, the BBC Symphony Orchestra, and the Chicago Symphony Orchestra. These candid interviews give us vintage Boulez - his bold views, enigmatic wit, practical wisdom, and uncompromising beliefs. Here the eminent composer, who has been called both "a wild man of the avant-garde" and "the last true maestro" (New York Times), talks about being one of the world's most controversial conductors and daring programmers of musical taste. Boulez sometimes locks horns with French author Jean Vermeil, who confronts him with his past and prods him to discuss the future of music and orchestras. Boulez tells how and why he chose his battles and lays out his vision of the conductor's mission. He tells what he learned - and didn't learn - from other conductors, and how he feels about the composers who compromise his repertoire, including Webern, Berg, Schoenberg, Stravinsky, Messiaen (with whom he studied), and, of course, Boulez himself.
Subjects
Topics
Places
People
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!