Hearing the Motet
Essays on the Motet of the Middle Ages and Renaissance
Our rough guess is there are 98,000 words in this book.
At a pace averaging 250 words per minute, this book will take 6 hours and 32 minutes to read. With a half hour per day, this will take 13 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
Word Count
98,000 words, Guess
Page Count
392 pages
Identifiers
- Internet Archivehearingmotetessa00pesc
- Internet Archivehearingmotetessa00pesc_091
- ISBN-100195129059
- ISBN-139780195129052
- LibraryThing1354880
and 3 more
- Better World Books9780195129052
- Better World BooksW8-AAY-382
- Open LibraryOL7388812M
Classifications
- LCCML3275.H4 1998
Description
The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book also draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture - a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes indispensable reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods.
First Sentence
dence.One author, prompted by her new understanding of an upper-voice text, examines a fourteenth-century motet and uncovers multiple layers of structure in addition to the expected isorhythmic skeleton.
Subjects
Other Editions
- Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!