Author

Publication

2016 - Peeters, Leuven, Belgium

Language

English

Word Count

25,500 words, Guess

Page Count

102 pages

Identifiers

Classifications

  • DDC111.85
  • LCCBH301.M47 B34 2016

Description

In his 'Metamorphoses', Ovid (43 BC - AD 17) tells the story of Echo and Narcissus. Echo's love for Narcissus ended in a cruel twist of fate. Already punished with an echo for a voice, the nymph suffered further as she petrified and her bones became stones. The study of art has long focused on the Narcissus-mirror syndrome as a paradigm for painting (Leon Battista Alberti (1404-1472)). Echo had no place in this masculine scopic discipline. Recent approaches have rehabilitated Echo from a visual, cultural and gendered point of view. Echo cries; she cries for an alternative to the mirror paradigm and oculocentrism. She helps us break free from Narcissus in favour of visual modalities such as dissolution, camouflage and contamination, in short, disappearance as an alternative to the scopic regime. In this essay I treat the impact of Echo on art history through the lenses of: gender, speech and hearing; Echo as textilisation and sacrifice; Echo as chthonic art; and, finally, Echo and 'le désir mimétique'. With this approach, I develop a new hermeneutic to reintegrate the sonoric senses, camouflage theory, gender epistemology, and the anthropological substrata of nature, love and death into our Western obsession for mimetic thinking.

Subjects

Series Statement

  • Studies in iconology -- 6

Reader Reviews

No reviews yet for this book.

Be the first to share your thoughts!