Lost chords
white musicians and their contribution to jazz, 1915-1945
Our rough guess is there are 222,500 words in this book.
At a pace averaging 250 words per minute, this book will take 14 hours and 50 minutes to read. With a half hour per day, this will take 30 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
We earn a commission on purchases
Author
Publication
1999 - Oxford University Press, New York, New York (State)
Language
English
Word Count
222,500 words, Guess
Page Count
890 pages
Identifiers
- Open LibraryOL695107M
- ISBN-100195055853
- OCLC Control Number97042470
- OCLC Control Number38168232
- OCLC Control Numberlostchowhitem00sudh
and 3 more
- Library of Congress Control Number97042470
- Goodreads989243
- LibraryThing299629
Classifications
- DDC781.65/089/13
- LCCML3508 .S85 1999
Description
Lost Chords is trumpeter-historian Richard M. Sudhalter's definitive tribute to a pioneering generation of white jazz players, many of whom have been unjustly forgotten or neglected. While never scanting the role of the great black innovators and soloists, Sudhalter's provocative account challenges the contention of numerous jazz critics that white players have contributed little of substance to the music. This volume offers an exhaustively documented, vividly narrated history of white jazz contribution in the vital years 1915 to 1945. Beginning in New Orleans, Sudhalter takes the reader on a fascinating multicultural odyssey through the hot jazz gestation centers of Chicago, New York, Indiana, and Texas, examining bands such as the New Orleans Rhythm Kings, the Original Memphis Five, and the Casa Loma Orchestra. Readers will find luminous accounts of many key soloists, including Bix Beiderbecke, Benny Goodman, Jack Teagarden, Red Norvo, Bud Freeman, the Dorsey Brothers, Bunny Berigan, Pee Wee Russell, and Artie Shaw, among others. Along the way, he gives due credit to Louis Armstrong, Lester Young, Duke Ellington, Coleman Hawkins, and countless other major black figures.
First Sentence
Climbing off the train at La Salle Street Station, Ray Lopez couldn't help shivering as the Lake Michigan wind sliced easily through his light overcoat and suit.
Excerpt
Climbing off the train at La Salle Street Station, Ray Lopez couldn't help shivering as the Lake Michigan wind sliced easily through his light overcoat and suit.
Subjects
Topics
Places
Other Editions
- Lost chords: white musicians and their contribution to jazz, 1915-1945
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!