A "arte degenerada" de Lasar Segall
perseguição à arte moderna em tempos de guerra
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Author
Contributions
- Segall, Lasar, 1891-1957 - Contributor
- Universidade de São Paulo. Museu de Arte Contemporânea - Contributor
- Museu Lasar Segall - Contributor
Publication
2018 - MAC, Universidade de São Paulo, São Paulo, Brazil
Language
Portuguese
Word Count
45,750 words, Guess
Page Count
183 pages
Identifiers
- ISBN-108562930180
- ISBN-139788562930188
- OCLC Control Number1059305089
- Open LibraryOL44271836M
Classifications
- LCCND1900.S44 A4 2018
Alternate Titles
- "Arte degenerada" de Lasar Segall.
- "Arte degenerada" de Lasar Segall. English.
- Degenerate art of Lasar Segall.
Description
Between 1937 and 1938, already living in Brazil, painter, sculptor, draftsman and engraver Lasar Segall (Vilnius, Lithuania 1889 - Brazil 1957) had 49 works confiscated of German public museums. Of these, 11 participated in the exhibition "Degenerate Art" (Entartete Kunst): three oil paintings and eight engravings. The Lasar Segall Museum exhibition features 24 engravings and the only oil canvas that survived the Nazis, "Eternal Walkers" (Die Ewigen Wanderer, 1919). Additionally, in commemoration of the 80th anniversary of the Degenerate Artʺ exhibition in 1937, the Museum of Contemporary Art of the University of São Paulo, in partnership with the Lasar Segall Museum, organized the International Seminar "Arte Degenerada 80 Anos: Repercussões no Brasilʺ (Degenerate Art - 80 Years: Repercussions in Brazil). The objective was to reflect on the repercussions in Brazil of the exhibition organized by the German government, led by Adolf Hitler, and on the persecution of modern art by the Brazilian military regime during the first half of the 20th century.
Subjects
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