Baroness Elsa
Gender, Dada, and Everyday Modernity--A Cultural Biography
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Word Count
118,000 words, Guess
Page Count
472 pages
Physical Format
Hardcover
Identifiers
- Internet Archivebaronesselsagend0000gamm
- ISBN-100262072319
- ISBN-139780262072311
- Library of Congress Control Number2001054629
- OCLC Control Number48221458
and 2 more
- Better World Books9780262072311
- Open LibraryOL9478961M
Classifications
- LCCNX550.Z9.F7374 2002
- LCCNX550.Z9 F7374 2002
- LCCNX550.Z9 .F7374 2002
Description
"Elsa von Freytag-Loringhoven (1874-1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars.". "In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century."--BOOK JACKET.
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Other Editions
- Baroness Elsa: Gender, Dada, and Everyday Modernity--A Cultural Biography
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