Ferdinand Bol and Govert Flinck
new research
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Contributions
- Flinck, Govaert, 1615-1660 - Contributor
Publication
2017 - WBOOKS, Zwolle, Netherlands
Language
English
Word Count
70,000 words, Guess
Page Count
280 pages
Identifiers
- Internet Archiveferdinandbolgove0000unse
- ISBN-10946258222X
- ISBN-139789462582224
- OCLC Control Number995002956
- Better World BooksO8-COM-033
and 2 more
- Better World Books9789462582224
- Open LibraryOL44539922M
Classifications
- DDC700-9492
- LCCND653.B754 F47 2017
- LCCND653.B57F47 2017
Description
Bol and Flinck are Rembrandt's two most important pupils. Their impressive work is admired all over the world, streets have been named after them, and after three and a half centuries this exhibition is at last bringing them out of their teacher's shadow. With superb portraits and dramatic scenes based on the Bible and the Classics, Bol and Flinck met the demands of their clients, who included prosperous merchants and representatives of the country's maritime and political power. Exhibition: Museum Het Rembrandthuis & Amsterdam Museum, Amsterdam, The Netherlands (13.10.2017-18.02.2018).
Description
This book presents sixteen essays exploring the work of two of 17th-century Amsterdam's most ambitious painters, Govert Flinck and Ferdinand Bol. Museum curators, academic art historians, and conservation scientists from six different countries come together to investigate form, content, and context from a variety of perspectives. Eric Jan Slujter examines how changing patterns of patronage contributed to both artists' stylistic evolution. Hilbert Lootsma traces the rise and fall of their critical fortunes from their own time until today. Ann Jensen Adams situates their work in the shifting market for portraiture. Jasper Hillegers explores the origins of Flinck's career in the Leeuwarden studio of Lambert Jacobsz. Other authors present contextual and technical analyses of individual paintings. Portrait identities are revealed, painterly tricks uncovered, and both artists are shown to be influential teachers and members of an intellectual community in which art and theatre were closely linked. Many of these essays originated at an international conference held in preparation for the exhibition, Govert Flinck and Ferdinand Bol. Together, they shed new light on the methods and motivations of two artists who began as Rembrandt's acolytes but soon became his rivals.
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Other Editions
- Ferdinand Bol and Govert Flinck: new research
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