Performance practices in the Classical era
as related by primary resources and as illustrated in the music of W.A. Mozart and Joseph Haydn
Our rough guess is there are 113,500 words in this book.
At a pace averaging 250 words per minute, this book will take 7 hours and 34 minutes to read. With a half hour per day, this will take 15 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
Word Count
113,500 words, Guess
Page Count
454 pages
Identifiers
- ISBN-101579997996
- ISBN-139781579997991
- Library of Congress Control Number2014563346
- OCLC Control Number712595594
- Open LibraryOL30385041M
Classifications
- DDC781.4/309033
- LCCML457 .S526 2011
Description
The Classical era, from 1751 to the 1830s and beyond, is one of the most revolutionary and creative times in the history of music. However, critical details about the performance of music during this extraordinary time have too often been lost to generations of re-interpretation, opinionated colorings, and changes in fashion and taste. In this remarkable volume, noted scholar and choral conductor, Dennis Shrock brings together in one place writings from more than 100 Classical-era authors and composers about performance practices of music during their time. These primary sources represent the entire time span of the Classical era, writings from throughout Europe and the United States, and details on virtually every type of performing medium and genre of composition common in the era. Dr. Shrock quotes from diaries, instruction books, dictionaries, letters, biographies, and essays all written during the eighteenth and early nineteenth centuries. Dr. Shrock organizes all of these comments - complete with detailed music examples - in sections devoted to sound, tempo, articulation and phrasing, metric accentuation, rhythmic alteration, ornamentation, and expression. What emerges is an insightful and colorful portrait certain to assist anyone who seeks to better understand the music of Mozart, Haydn, and other noted composers. Performance Practices in the Classical Era is a vital resource for any conductor, performer, or aficionado of classical music.
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!