Soul kitchen
Anamorphic widescreen.
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Contributions
- Bleibtreu, Moritz, 1971- actor - Contributor
- Roggan, Pheline, 1981- actor - Contributor
- Bederke, Anna, 1981- actor - Contributor
- Ünel, Birol, 1961- actor - Contributor
- Gryllus, Dorka, 1972- actor - Contributor
and 16 more
- Mohring, Wotan Wilke, 1967- actor - Contributor
- Gregorowicz, Lucas, actor - Contributor
- Gökgöl, Demir, actor - Contributor
- Hosemann, Marc, 1970- actor - Contributor
- Striebeck, Catrin, actor - Contributor
- Yücel, Uğur, actor - Contributor
- Kier, Udo, actor - Contributor
- Bleibtreu, Monica, 1944- actor - Contributor
- Klausmann, Rainer, 1949- cinematographer - Contributor
- Bird, Andrew, 1956- film editor - Contributor
- Corazón International (Firm) - Contributor
- Pyramide Productions (Firm) - Contributor
- Norddeutscher Rundfunk - Contributor
- Dorje Film (Firm) - Contributor
- Match Factory (Firm) - Contributor
- IFC Films - Contributor
Publication
2010 - , Germany
Language
German
Word Count
25,000 words, Guess
Page Count
100 pages
Physical Format
Video Recording
Identifiers
- ISBN-100788613464
- ISBN-139780788613463
- OCLC Control Number671816122
- Open LibraryOL26957826M
Classifications
- DDC791.43/72
- LCCPN1997.2 .S685 2010
Description
"Soul Kitchen" is Zinos Kazantsakis's humdrum restaurant in a working-class neighborhood of Hamburg. The food is mostly frozen, unceremoniously zapped in the microwave, or thrown into a vat of bubbling grease. He loves his restaurant and his girlfriend Nadine, even after she leaves him for an assignment in China. Wanting to liven up the restaurant, Zinos hires an out-of-work three-star chef, lets his ex-con brother Ilias spin records, and seeks out new clientele. Soon Soul Kitchen is reborn as Hamburg's newest hot spot. On a whim, Zinos flies to China to rekindle his relationship with Nadine leaving his brother in charge. There is also a slipped disc, a hard-drinking, chain-smoking waitress, a scheming real-estate developer, a Turkish "physio-healer," and a high stakes poker game in the mix. But the film is not about food or love; it's about family, life and human relationships, with a lingering nostalgia for a time when eating out implied getting dead drunk, stuffing one's face with cholesterol and kissing across the table.
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