Theatre and testimony in Shakespeare's England
a culture of mediation
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Author
Publication
2011 - Cambridge University Press, Cambridge, UK, England
Language
English
Word Count
70,750 words, Guess
Page Count
283 pages
Identifiers
- Open LibraryOL24857683M
- ISBN-139781107011854
- OCLC Control Number726150274
- Library of Congress Control Number2011019261
Classifications
- DDC792/.094209031
- LCCPN2589 .S96 2011
Description
"Holger Syme presents a radically new explanation for the theatre's importance in Shakespeare's time. He portrays early modern England as a culture of mediation, dominated by transactions in which one person stood in for another, giving voice to absent speakers or bringing past events to life. No art form related more immediately to this culture than the theatre. Arguing against the influential view that the period underwent a crisis of representation, Syme draws upon extensive archival research in the fields of law, demonology, historiography and science to trace a pervasive conviction that testimony and report, delivered by properly authorised figures, provided access to truth. Through detailed close readings of plays by Ben Jonson and William Shakespeare - in particular Volpone, Richard II and The Winter's Tale - and analyses of criminal trial procedures, the book constructs a revisionist account of the nature of representation on the early modern stage"-- "The Authenticity of Mediation: A man dressed in a simple black gown or an elaborate robe of office stands before a crowd of listeners. He speaks, and as his audience attend to his words they understand that the words are not his at all, but belong to another, absent voice. Continuing to listen, they begin to hear, through the conduit of the man's body, that other voice as though its owner were speaking. And as the absent voice materializes, it conjures a world of absent events and people, meetings of kings or street brawls among drunkards, mundane business transactions or chilling encounters with the supernatural"--
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- Theatre and testimony in Shakespeare's England: a culture of mediation
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