Studying contemporary American film
a guide to movie analysis
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Author
Contributions
- Buckland, Warren. - Contributor
Publication
2002 - Arnold, London, England
Language
English
Word Count
77,250 words, Guess
Page Count
309 pages
Identifiers
- Open LibraryOL3585250M
- ISBN-100340762055
- OCLC Control Number49964379
- OCLC Control Number1154987840
- Internet Archivestudyingcontempo00elsa_112
and 3 more
- Library of Congress Control Number2002283630
- Goodreads3414943
- LibraryThing1459226
Classifications
- DDC791.43/01/5
- LCCPN1995 .E59 2002
Description
How should the student set about analysing contemporary American cinema? This book takes an innovative approach to film analysis: each chapter examines the assumptions behind one traditional theory of film, distils a method of analysis from it, and then analyses a contemporary American movie. It then goes beyond the traditional theory by analysing the same movie using a more current theory and method. Traditional theories featured include mise en scene criticism, auteurism, structural analysis, narratology, studies of realism, psychoanalysis, and feminism. More current theories include new and post-Lacanian approaches to subjectivity, cognitivism, computerised statistical style analysis, the philosophy of modal logic, new media theory, and deconstruction. Films analysed include Chinatown, Die Hard, The Silence of the Lambs, Jurassic Park, The Lost World, Back to the Future, Lost Highway, plus two European imitations of American filmmaking, The English Patient and The Fifth Element. All students of film and popular culture will find this book ideal preparation for writing clear, well-structured, detailed analysis of their favourite American movies
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