Relational undercurrents
contemporary art of the Caribbean archipelago
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Contributions
- Museum of Latin American Art - Contributor
- Pacific Standard Time: LA/LA (Project) - Contributor
Publication
2017 - Museum of Latin American Art, California
Language
English
Word Count
79,750 words, Guess
Page Count
319 pages
Identifiers
- ISBN-101934491578
- ISBN-101934491586
- ISBN-139781934491577
- ISBN-139781934491584
- Library of Congress Control Number2017941195
and 4 more
- OCLC Control Number989766858
- Better World Books9781934491584
- Better World Books9781934491577
- Open LibraryOL26947384M
Classifications
- DDC700.411
- LCCN6591 .R45 2017
Description
Relational Undercurrents: Contemporary Art of the Caribbean Archipelago' will call attention to a region of the Americas that is difficult to categorize and often overlooked: the island nations of the Caribbean. The exhibition proposes an archipelagic model defining the Caribbean from the perspective of its archipelago of islands, as distinct from the continental experience to study issues around race, history, the legacy of colonialism, and the environment. The exhibition features artists from the Hispanophone, Anglophone, Francophone, and Dutch Caribbean. Relational Undercurrents will emphasize the thematic continuities of art made throughout the archipelago and its diasporas, challenging conventional geographic and conceptual boundaries of Latin America. This approach draws particular attention to issues arising from the colonial legacy that are relevant to Latin America as a whole, but which emerge as central to the work of 21st-century Caribbean artists, including Janine Antoni (Bahamas), Humberto Diáz (Cuba), Jorge Pineda (Dominican Republic), and Allora & Calzadilla (Puerto Rico).
Subjects
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